Born on the same day and raised side by side, high school students Yoon Hae Rim and Uhm Ki Seok are close friends. They never say it, but they are precious to each other. One day, a transfer student from Seoul comes. Oh Dong Kyung is bold and not afraid to say what he is feeling, unlike Hae Rim and Ki Seok. Is Dong Keung enough to shake up their friendship?

The story of the first major battle of the American phase of the Vietnam War and the soldiers on both sides that fought it.

A tight-knit crew of three reigns over a bustling barrio in Mexico City — until a sudden tragedy breaks their crowns and renders two of them rivals.

Anthology film of six shorts by leading Korean directors. Park Chan-Wook, tackles racial prejudice and the economic exploitation of immigrant workers through the real-life story of a Nepalese woman in Korea. Jeong Jae-Eun, tackles the plight of a paedophile released into the community. Yeo Gyun-Dong, invites disabled actor Kim Moon-Joo to re-enact his most famous protest. Im Soon-Rye, goes for the engrained sexism of Korean men with superb wit and, Park Jin-Pyo, confronts the horror of children forced into oral surgery to improve their English-speaking ability.

Snippets of conversation from the queue for a club form a portrait of London’s vibrant and communal queer nightlife.

Based on the novel by the same name, We Were the Mulvaneys is a sensitive portrayal of one family's journey as they face conflict, fear, tragedy and ultimately, themselves.

A group of young people in 1959 get ready to set out on their journey to adulthood.

In a world where Black men have wings and their first flight is a rite of passage, Akil must defy fears, insecurities, and societal barriers while discovering his perfect launch into manhood. 　　源自：https://festival.sundance.org/program/film/638a1cfe77dd3d621b8068ba

In 1975, Hoa Thi Le and Hue Nguyen Che fled from Vietnam by boat and docked in the Philippines, where they were utilized as background extras during the filming of Apocalypse Now.

Funded by the National Human Rights Commission of Korea. If You Were Me 5 takes a close look at the violent nature hidden behind our eyes. 5 directors- Kang Yi Kwan, Boo Ji Young, Yoon Sung Hyun, Kim Dae Seung and Sin Dong Il disclose how closely ordinary events of society connect with our eyes. There is a hidden sexual violence beyond our eyes and the power of a controlled society works through the power beyond the eyes. Not only the violence of the eye itself, also limited the ability of individuals to see, the matter of the eye intervenes in various relationships between the individual and groups. The film demonstrates how sharp the eye has become in a society with developing technology.